I Clowns

December 28th, 2008

A ragout of real memories and mockumentary with Fellini exploring a childhood obsession: circus clowns. Fellini considered ringmaster as an alternate career – here he’s a mesmerized MC sharing his still-intense feelings with his audience. In the first of three segments, as a child, Fellini awakens to the raising of a circus outside his home, and he must explore it. The clowns remind young Federico of strange and terrifying neighbors in his seaside hometown of Rimini, so “The Clowns” recreate a few of them in filmed vignettes. Fellini decides to make a documentary about what happened to the classic jesters of his youth, so he accompanies a farcical (and mock) film crew to Paris to investigate clown history, and track down surviving greats. He just happens to run into legendary clown Charlie Chaplin’s daughter Alice, and at a circus one of Fellini’s best-known stars, Anita Ekberg, there to buy a big cat. At a museum, Fellini is bereft to see the sparse, deteriorating footage of his comic idols. Fellini can’t let his movie end this way or this soon, so he creates a grand, much bigger-than-life celebration of the pageantry and mysticism of one of his major influences.

Cast

  • Federico Fellini     …     Himself
  • Riccardo Billi    …     Clown
  • Tino Scotti    …     Clown
  • Fanfulla    …     Clown
  • Dante Maggio    …     Clown
  • Galliano Sbarra    …     Clown
  • Nino Terzo    …     Clown
  • Giacomo Furia    …     Clown

The Clown at Midnight

December 28th, 2008

After Kate’s friend Monica invites her to help clean up an old opera house where her mother was killed in a play she starred in, she is skeptical. But when the doors suddenly get locked from the outside, she has good reason to be. She starts having visions of her dead mother getting killed down in the basement and everyone starts to see a mysterious clown. When people start dying they decide that they have to get out quick. When the clock hits twelve, someone wants her to be in the final scene with them.

Location

The movie was filmed in Winnipeg, Manitoba, Canada at the Walker Theatre in downtown Winnipeg. In one scene near the end of the film, taking place on the rooftop, the Richardson building and the TD bank towers at Portage and Main can be seen.

Cast

  • Christopher Plummer    …     Mr. Caruthers
  • Margot Kidder    …     Ms. Ellen Gibby
  • Sarah Lassez    …     Kate Williams
  • James Duval    …     George Reese
  • Tatyana Ali    …     Monica
  • Melissa Galianos    …     Cheryl ‘Walnut’ Webber
  • J.P. Grimard    …     Marty Timmerman

Clownhouse

December 28th, 2008

Clownhouse is a 1988 horror film written and directed by Victor Salva. It was nominated for the Grand Jury Prize in the dramatic category at the 1989 Sundance film festival.

About the film

Clownhouse was one of the last slasher films to come out of the 1980s, a decade notable for the plethora of slasher pictures like Friday the 13th, A Nightmare on Elm Street, Prom Night, and many others.

Despite ending a decade known for intense violence and gratuitous gore, Clownhouse didn’t have much of either. Instead, the film followed in the tradition of John Carpenter’s Halloween by limiting the onscreen carnage and focusing on lighting, sound, and suspense. The film also portrays a message concerning the fears of mankind. The final onscreen text reads:

“No man can hide from his fears; as they are a part of him, they will always know where he is hiding.”

Writer/director Victor Salva spends a majority of the film setting up sardonic situations that allude to the characters and their positions. Throughout the movie, a song is frequently played or sung, in which a line reads: “Don’t be afraid of the dark, sweetheart.” Moments later, two of the brothers are being unknowingly chased in the night by two of the clowns.

The film is mostly responsible for Victor Salva’s temporary filmmaking absence between 1996 and 2001. In the 1980s Nathan Forrest Winters, the leading actor who played Casey, would press charges against Salva for sexual abuse during the making of this film. Forrest would come forward again in 1996, when Salva’s film Powder was released.

Salva became noticeable again in the film industry in 2001 with the release of his sleeper hit Jeepers Creepers, followed by its 2003 sequel Jeepers Creepers II.

Plot summary

Clownhouse follows the story of leading protagonist Casey (Nathan Forrest Winters), a normal boy whose life is constantly influenced by his intense fear of clowns. His two older brothers, Geoffrey (Brian McHugh) and Randy (Sam Rockwell), are mostly disobliging. One night, the three boys are left alone, so they decide to visit a local circus for a night of amusement, despite knowing Casey’s uncontrollable coulrophobia.

Meanwhile, three mental patients have escaped from a local insane asylum, and their first stop is at the same circus the brothers are attending.

At the circus, Casey innocently visits a fortune teller despite Randy’s better judgment. The fortune teller reveals to Casey that his life line has been cut short, and says to him:

Beware, beware, in the darkest of dark /though the flesh is young and the hearts are strong /precious life cannot be long /when darkest death has left its mark.

As the boys go home from the circus, a shaken Casey thinks his nightmare is over, but it has only just begun. The three escaped mental patients have murdered three circus clowns, disguised themselves with their costumes and makeup and have made their way to the boys’ house to unleash a night of terror, where Casey is forced to face his fears once and for all.

Other information

  • Director Victor Salva was convicted of molesting lead actor Nathan Forrest Winters during the making of Clownhouse. Winters was 12 years old at the time and Salva was sentenced to three years in prison, of which he served 15 months.
  • In the scene where the brothers are reading a comic book in Geoffrey’s room, a poster for Something in the Basement can be seen on the bedroom door. This is a reference to Victor Salva’s first film/short from 1986, which also starred Nathan Forrest Winters. Additionally in an earlier scene, on the outside of Geoffrey’s door there can be seen a poster for The Outsiders; directed by Francis Ford Coppola, who helped finance both Clownhouse and Salva’s subsequent films.

Koko the Clown

December 28th, 2008

Koko the Clown is an animated character created by animation pioneer Max Fleischer. The character originated when Max Fleischer invented the rotoscope, a device that allowed for animation to be more lifelike by tracing motion picture footage of human movement. To test out his new invention Fleischer photographed his brother, Dave in a clown costume. After tracing the film footage amounting to some 2,500 drawings and a year’s work, Koko the Clown was born. Using this device, Max Fleischer was able to secure a contract with the John R. Bray Studios, and in 1919 they Out of the Inkwell began as an entry in each monthly in the Bray Pictograph Screen Magazine released through Pararamount (1919-1920), and later Goldwyn (1921). Aside from the novlety of the rotoscope, this series offered a combination of live-action and animation centered on Max Fleischer as the creative cartoonist and lord over the clown. The clown would often slip from Max’s eye and go on an adventure, or sort or pull a prank on his creator.

At first the character had no name and was known simply as “The Clown,” or “Fleischer’s Clown.” The series was very popular and in 1921, Max and Dave Fleischer formed their own studio, Out of the Inkwell Films, Inc. Their films were distributed through the States Rights method through Warner Brothers, Winkler Pictures, Standard, and finally The Red Seal Pictures, Corporation. The “Clown” was named Ko-Ko in 1923 when Dick Huemer came to the studio as their Animation Supervisor, and it was at this time that the canine companion, Fitz was created to share the mischief. Heumer also redesigned the “Clown,” and set the drawing style that made the series famous. The illustration at the heading is an example by Huemer.

In the films produced from 1924 to 1927, the clown’s name was hyphenated, “Ko-Ko.” The hyphen was dropped due to legal issues associated with the new association with Paramount beginning in mid 1927 following the bankruptcy of The Red Seal Pictures Corporation. “Out of the Inkwell” was also retitled for Paramount as “The Inkwell Imps” and continued until July, 1929, ending with “Chemical Koko,”. “The Inkwell Imps” series was replaced by Flesicher’s new sound series, “Talkartoons”.

Throughout the 1920s, the Fleischer studio proved to be one of the top producers of animation with clever humor and numerous innovations. In 1924, Fleischer decided to go a step further and introduce a new series called Ko-Ko Song Car-tunes, sing-along shorts (featuring “The Famous Bouncing Ball“). These early cartoons were actually the first films ever to use soundtracks (two years before The Jazz Singer and three years before Steamboat Willie). These sound shorts received limited distribution through the 36 theaters owned by The Red Seal company, which became defunct shortly before the sound era officially began. While the last KOKO films were being produced, the Fleischers returned to producing sound cartoons with a revival of the song films named ["SCREEEN SONGS"], which were released to theaters starting in February, 1929. Throughout this transitional period, the Fleischer Studio continued to produce a number of innovative and advanced films between 1929 and 1933.

In 1931, Koko was taken out of retirement and became a regular in the new Fleischer Talkartoons series with costars, Betty Boop and Bimbo. Koko’s last theatrical appearance was in the “Betty Boop” cartoon, “Ha-Ha-Ha” (1934), a remake of an “Out of the Inkwell silent, “The Cure” (1924). Koko’s first color appearance was a cameo in “Toys Will Be Toys,”(1949),one of the revived “Screen Songs” series produced by Famous Studios. The colorized version of Koko also made a cameo appearance in the ending scene in Who Framed Roger Rabbit.

In 1958, Max Fleischer set out to revive Out of the Inkwell for television, and a series of 100 color episodes were produced in 1960-1961 by Hal Seeger using the voice talents of Larry Storch.

Serial Insane Clown Killer

December 28th, 2008

Grim Weekend (also released as S.I.C.K. Serial Insane Clown Killer) is a low budget 2003 horror movie written and produced by Ken Hebert and Bob Willems.

It involves a group of friends that travel to a secluded house in the middle of the woods. Here there are a series of horrific sequence of events that lead to the death of 3 people, caused by the evil protagonist of the film Uncle Billy. Grim Weekend has been shown on Zone Horror a couple of times

Cast

  • Ken Hebert     …     Brandon Walker
  • Amanda Watson    …     Tracey
  • Charlie Fenwick    …     Uncle Billy
  • Melissa Bale    …     Denise Walker
  • Hank Fields    …     Mark Bell
  • Chris Bruck    …     Susan Bell

Shakes the Clown

December 28th, 2008

Shakes the Clown is a 1992 American movie directed and written by Bobcat Goldthwait, who performs the title role. It also features Julie Brown, Blake Clark, Paul Dooley, Kathy Griffin, Florence Henderson, Tom Kenny, Adam Sandler, Scott Herriott, LaWanda Page, and a cameo by Robin Williams as Mime Jerry (using the pseudonym Marty Fromage).

The movie is a dark comedy about a birthday-party clown (Goldthwait) in the grip of depression and alcoholism. Different communities of clowns, mimes and other performers are depicted as clannish, rivalling subcultures obsessed with precedence and status. This was Goldthwait’s bitter satire of the dysfunctional standup comedy circuit he knew as a performer.

Critical and audience reaction to the movie was decidedly mixed: Leonard Maltin gave it his lowest rating, while the Boston Globe called it “the Citizen Kane of alcoholic clown movies.”

In an interview with Conan O’Brien, Goldthwait revealed that no less than Martin Scorsese had defended the movie from detractors. When a film critic derided the movie in order to make a point about good and bad movies, Scorsese revealed, “I liked Shakes the Clown.”

Killer Klowns From Outer Space

December 28th, 2008

Killer Klowns From Outer Space is a 1988 American comedy horror movie, made by The Chiodo Brothers and starring Grant Cramer. It is the only Chiodo Brothers directed and written film – they have worked in many other projects in other roles, such as producing and visual effects.

The film is about aliens (who look like clowns) that arrive on Earth to capture and harvest people in order to use them as sustenance.

Movie notes

  • Actor Sam Rockwell appears in his film debut in an uncredited role as a busboy.
  • The opening and end credits feature the punk rock band The Dickies performing the film’s theme, “Killer Klowns”.
  • The movie’s taglines: “They make Aliens look like a circus” and “In space no one can eat ice cream” parodied that of the 1979 Ridley Scott film Alien.
  • The hardcore/emo band Chiodos stated in an interview that their name was taken from the production company’s name of “Killer Klowns…”
  • The DVD Commentary indicates that Charles Chiodo portrayed “Klownzilla” in the film.
  • Hanson originally died in the original ending, but test audiences liked the character so much that the ending was altered to have him survive.

Action figure

There are two such figures. The first is the most common Klown in the movie, a Klown warrior armed with a deadly popcorn blaster, cotton candy coccoon victim, and a colourful base with a pole to hang the deceased. A Tower Records exclusive figure of the same Klown mold has a radical blue paint scheme with vibrant red and purple highlights. This warrior comes with all the same accessories as the regular Klown, with the exception of the blaster; instead he is equipped with a sinister bat (similar to those the aliens use at end of the movie to pummel the heroes). Though the latter Klown model is considered a one-off variant, it can clearly be seen near the end of the film as one of the first Klowns to reveal itself. It can also be seen earlier in the film during the Klown parade, where it is one of the two Klowns pushing the vacuum that collects the cotton candy cocoons. The only discrepancy is that the figurine comes with a white bat, rather than one of the red ones wielded in the film.There’s a Shadow Puppet Bozo action figure also.

SOTA’s Jerry Macaluso has stated that he would like to create a mega-size “Klownzilla” figure (approx.size up to 20 inches high or more).

Cast

  • Grant Cramer     Mike Tobacco
  • Suzanne Snyder     Debbie Stone
  • John Allen Nelson     Dave Hanson
  • John Vernon     Curtis Mooney
  • Michael Siegel     Rich Terenzi
  • Peter Licassi     Paul Terenzi
  • Royal Dano     Farmer Gene Green
  • Chris Titus     Bob McReed
  • Irene Michaels     Stacy
  • Karla Sue Krull     Tracy
  • Emily Beck     Smartass #1 and Queen of the Klowns